Gods, Monsters, and the Lucky Peach out in a week!

Gods, Monsters, and the Lucky Peach will be out in a week! I’m so excited for people to read it. It’s already getting some very enthusiastic reviews, so I have high hopes it’ll get good reader love.

Cover for Gods, Monsters, and the Lucky Peach, out March 16. Cover by Jon Foster http://www.jonfoster.com/
Gods, Monsters, and the Lucky Peach, out March 16. Cover by Jon Foster http://www.jonfoster.com/

Jonathan Strahan says:

“Rich, nuanced characters, deeply compelling story, and a powerfully conceived world make Gods, Monsters and the Lucky Peach one of the best novellas of recent times, one of the highlight books of 2018, and something to look for on awards ballots come 2019.”

RT Book Reviews says:

“Robson creates a nuanced take on how time travel can be used in science fiction beyond the typical ‘prevent event from happening’ trope. Time travel is treated thoughtfully here, with rules and consequences that enrich the novel to the last page.”

Scifi and Scary says:

You’ll be missing out if you don’t read this.

Pre-order at your favorite indie bookstore, or:
Amazon US | Amazon Canada | Amazon UK
Barnes & Noble | Books-a-Million | Chapters Indigo
IndieBound | Powells | iTunes


March excitement for Gods, Monsters, and the Lucky Peach!

Cover for Gods, Monsters, and the Lucky Peach, out March 16. Cover by Jon Foster http://www.jonfoster.com/
Cover by Jon Foster http://www.jonfoster.com/

Publishing is a waiting game. I’ve only been waiting for about a year since signing the contract for Gods, Monsters, and the Lucky Peach, so I really shouldn’t complain. Most writers wait two years or more for their books to come out with a major publisher. Still, it feels like forever.

But now it’s nearly here! Gods, Monsters, and the Lucky Peach hits on March 13. Reviews have been very positive and the book has a lot of buzz. Here’s two recent review quotes:

Gary K. Wolfe – Chicago Tribune says:

Robson, who has garnered major award nominations in a career of only a few years, builds both her future and ancient worlds with convincing detail for such a short novel, populating them with characters who are believable and engrossing, even when they have tentacles. It’s likely to be one of the most impressive debut novels of the year.

Scifi and Scary says:

You’ll be missing out if you don’t read this.

Second-time Nebula Finalist!

My Lesbian Gothic Horror novelette “A Human Stain” is up for a Nebula Award! How cool is that? I was a Nebula finalist in 2015, and it was a heck of a heady experience. Now I get to do it again! Whoop!

March is filled with STUFF. Here’s what I have on the go:

Intersection Comedy Show

I’m participating in the Intersection Improv Comedy Show on Wednesday, March 7. I’m going to be telling three of my most embarrassing moments, and then the troupe will make hay with my story.

Wednesday, March 7 at 8:00 PM to 9:30 PM
The Social Capital Theatre
154 Danforth Ave – Second Floor

International Conference on the Fantastic in the Arts

I’ll be in Orlando at ICFA March 16-17, reading on Saturday at 4PM. ICFA is an academic conference that a lot of writers feel very romantic about because it’s so low pressure. Basically you just hang out with your friends. Alyx and I went last year and absolutely loved it.

KGB Fantastic Fiction Reading, March 21

I’m reading with Chandler Klang Smith at KGB Fantastic Fiction in New York. Can’t wait!

Wednesday, March 21, 2018, 7pm
KGB Bar, 85 East 4th Street (just off 2nd Ave, upstairs)

Book Launch at Toronto’s Bakka-Phoenix

The launch party for Gods, Monsters, and the Lucky Peach will be on Saturday, March 24.

Saturday, March 24 at 3:00 to 5:00 PM
Bakka-Phoenix Books – 84 Harbord St, Toronto

Cake – Live Reading – Music – Book Signing  – More Cake

I’ll be making BOTH of my famous carrot cakes. Come for the cake!

Kelly’s eligibility post – 2017 edition


Cover by Sam Wolfe

In 2017, I published two novelettes:

Lesbian gothic horror “A Human Stain” at Tor.com
At Locus, Paula Guran said, “…this spellbinding gothic novelette’s graceful writing and superlative atmosphere of dread alone are more than enough to commend it.” (10,000 words)

Far future SF “We Who Live in the Heart” at Clarkesworld
Gardner Dozois said, “The worldbuilding
here is fascinating, as is the intricately
worked-out detail of how the living ‘‘submarines’’
function and how it would be possible,
to some degree at least, to control them, but the
human relationships among the crew are equally
complicated and equally compelling. By the end,
the story has generated a great deal of suspense…”  (15,000 words)

I definitely think of myself as someone who writes short, not long, but these pieces pack a lot of story into the wordcount.

Also, both stories happen to feature lesbians. I didn’t plan that, but it’s kind of awesome.


I also published two essays in Clarkesworld: “The Dream of Writing Full Time” (September 2017) and “Being James Tiptree, Jr.”
(April 2017). I’m proud of them.


Usually, I don’t do a recommendations post. I just tweet about good stories throughout the year, and add my recommendations to the SFWA Suggested Reading lists.

However, I’m compelled to super-push two works. First, Annalee Newitz’s novel Autonomous, because it’s just freaking spectacular (AND a lot of fun). I loved it so much. It’s got my vote for best novel of the year.

Second, please read and nominate K.M. Szpara’s terrific novelette “Small Changes over Long Periods of Time.” This is brave, bravura work and deserves to be recognized as one of the best stories of the year.

About all those best-laid plans…

In December, when I was making my writing plans for this year, I vowed to write five 5,000 word stories. You see, I’d just finished a very long novella (Gods, Monsters, and the Lucky Peach — coming in March!) and I was itching to write shorter. I had all five planned out. So, it’s September. How have I done with that goal?

Let’s see what I’ve been up to:

  • Wrote and sold a 15,000 word novelette (We Who Live in the Heart, published at Clarkesworld — my tenth story sold!)
  • Wrote a 7,000 word story (currently on submission)
  • Currently revising a 9,000 word story (hope it will end up much shorter)

That’s not too bad. The word count is decent. But then, that’s not all I’ve been doing this year:

  • Wrote two columns for Clarkesworld (The Dream of Writing Full Time and Being James Tiptree, Jr.)
  • Revised Gods, Monsters, and the Lucky Peach twice (no small task)
  • Planned a sequel: Time, Trouble, and the Lucky Peach (will be so much fun!)
  • Planned a book I’m dying to write (even more fun!)
  • Planned three more short stories in the series of five I’m currently obsessed with

When I look at this list, I feel pretty darn productive. Also super excited about writing these things.

And in case that looks just too virtuous, I also started and gave up on a story that just wasn’t giving me joy. And that’s okay! Not all ideas work out and not all are worth the time it takes to make them click.

Gods, Monsters, and the Lucky Peach ready for preorder!


Cover for Gods, Monsters, and the Lucky Peach, out March 16. Cover by Jon Foster http://www.jonfoster.com/
Gods, Monsters, and the Lucky Peach, out March 16. Cover by Jon Foster http://www.jonfoster.com/

My time travel novella Gods, Monsters, and the Lucky Peach is ready for preorder! The release date is March 13, 2018 in both trade paperback and ebook. Pre-orders matter, so if you’re inclined, please do!

Here are the links:

Check out these amazing blurbs! How  could anyone resist?

Gods, Monsters, and the Lucky Peach is a tour-de-force, with nuanced characters in a masterfully conceived world of stunning, mind-bending eco-tech. Absolutely brilliant storytelling. I didn’t want it to end.” ―Annalee Newitz, co-founder of io9 and author of Autonomous

“The far future, the distant past. Time travel, bioengineering, office politics ― and ecological consulting. How could I not love this?” ―Peter Watts, author of Echopraxia

“A necessary meditation on the nature of change and the sacrifice required to manifest it, Robson’s novella pulls no punches, spares no rods, and leaves no idea unexamined.” ―Madeline Ashby, author of Company Town

And here’s the cover copy:

Experience this far-reaching, mind-bending science fiction adventure that uses time travel to merge climate fiction with historical fantasy. From Kelly Robson, Aurora Award winner, Campbell, Nebula, and Theodore Sturgeon finalist, and author of Waters of Versailles

Discover a shifting history of adventure as humanity clashes over whether to repair their ruined planet or luxuriate in a less tainted past.

In 2267, Earth has just begun to recover from worldwide ecological disasters. Minh is part of the generation that first moved back up to the surface of the Earth from the underground hells, to reclaim humanity’s ancestral habitat. She’s spent her entire life restoring river ecosystems, but lately the kind of long-term restoration projects Minh works on have been stalled due to the invention of time travel. When she gets the opportunity take a team to 2000 BC to survey the Tigris and Euphrates rivers, she jumps at the chance to uncover the secrets of the shadowy think tank that controls time travel technology.



Lucky Peach coming Spring 2018

On March 13, 2018, Tor.com’s novella program will publish my time travel story Gods, Monsters, and the Lucky Peach. It’s a big novella, just 300 words shy of 40,000 words, which is about half the size of your average novel.

So why not make it a novel?
That’s what everyone said when I told them the first draft was 50,000 words! But it’s not quite that simple. To make it a novel, the story would have to be a lot bigger. This is a tight novella-sized concept.

But it’s going to be an actual book?
Yes! An actual physical book with gorgeous cover art (which should be revealed sometime in the fall). Which means I get to include a dedication, acknowledgements, and all that real book stuff.

What’s it about?
A fluvial geomorphologist, a gay veterinarian, and a research assistant walk into a bar…

No, wait. Here’s the elevator pitch:

In 2267, Earth has just begun to recover from a mass extinction event, but the invention of time travel by secretive think tank TERN has blocked the flow of funding for long-term ecological restoration projects. Minh, an elderly fluvial geomorphologist, has spent her entire life working to restore ecosystems, and she’s enraged at having her life’s work disrupted by the illusion of quick-fix solutions to the world’s problems. When Minh gets the opportunity take a team to 2000 BC to conduct a past-state assessment of the Tigris and Euphrates rivers, she jumps at the chance to uncover TERN’s secrets.

Why did you decide to write about this?
I’ve worked in professional services firms for most of my life, and I’ve learned that takes an incredible amount of effort to get humans to work together.

In this novella, the world economy is designed around the idea that the only thing of value is a person’s time. The basic economic unit is the billable hour. Natural resources have no value because everything, including food, can be fabricated at the atomic level. Labor is done by robots. If you don’t like the standard of life where you’re living, everyone has the basic human right to take their projected billable hours elsewhere – basically vote with their feet.

I call this the Transparent Economy, where all transactions are measured and tracked. This is the same economic system I use in my Clarkesworld novelette “We Who Live in the Heart,” which is set on a distant planet 600 years in the future. I’m currently working on another story set in Toronto in the near future, which deals with the origin of this system.

This is a utopia, right?
Definitely not. The Transparent Economy has some definite drawbacks. One is a lack of privacy. Another is the simple fact that the world has humans in it. Even if we had a utopia, we’d find ways to make drama.

But nobody has to work, right?
Hah! Computers, robots, and databases will never be able to do everything. Plus, many people like to work. I think a major contributing factor to happiness is knowing your time is well spent and valued by others.

How does the time travel fit into all this?
Time travel is a big complication. It was invented about ten years before the story begins.

Are there paradoxes?
No! I don’t care for time travel paradoxes. I think there’s tons of drama to be had from the simple fact of time travel being possible.

So how does your time travel work?
Every writer designs their time travel physics to suit the kinds of stories they like to tell. Mine is specifically set up to be essentially useless – it can’t be used to change anything. You can go to the past, do whatever you like, and come home, but you can’t stay there. And once you’ve returned home, you can’t revisit the same past timeline you visited before. Each trip is to a fresh timeline. There’s no way to build on anything you do in the past.

I wanted to explore how time travel with no consequences can be a big problem and people can still get themselves in HUGE trouble with it even when, on a basic level, it’s only good for tourism.

And historical research.
Oh yes, lots of historical research! And ecological research too. And a lot of other things — but it’s especially good for getting yourself into trouble.

2016 in Retrospect

Cover by Sam Wolfe
Lesbian Gothic Horror novelette out January 4, 2017 at Tor.com. Cover by Sam Wolfe

2016 was a terrific year for me, filled with travel, excitement, and personal and professional triumph. 2016 has another face, of course, and it’s not pretty. However, I won’t rail against its injustices here. I’m just going to focus on the personal stuff.

Let’s count in fives: In 2016 I had stories in five year’s bests and was a finalist for five awards. Five by five. To keep up the pattern, my plan for 2017 is to write five 5000-word stories. But I’m getting ahead of myself. Let’s run it down:

Five Year’s Bests

Three of my stories were reprinted in year’s best anthologies edited by Jonathan Strahan, Gardner Dozois, Paula Guran, Neil Clarke, and Alan Kaster. The copies make a nice tall tower on my dresser. I’m extremely proud so many editors thought well of my work and can only hope to have such a successful year again.

Five Award Nominations

I was nominated for the Nebula Award, the Aurora Award, the Theodore Sturgeon Memorial Award, the Sunburst Award, and the World Fantasy Award. I want to give a few details about these awards because nobody ever says much about what it’s like to be an award finalist. Superstition, perhaps? I can understand that, but people want to know how I found out, what I felt, what happened. So here are my impressions.

Nebula Award

  • How I found out: SFWA Director of Operations Kate Baker, who is a total doll, phoned me to ask if I would accept the nomination. This was delicious because I got to squeal at her and get virtual hugs over the phone. So if you think you might get a nomination, pick up all phone calls from mysterious numbers in February.
  • What the award ceremony was like: Total glam-fest multi-day celebration. The SFWA Nebula Conference is a glorious event and SFWA makes you feel like a star.
  • Finalist swag: Nebula nominee pin and certificate, also ribbon for conference badge.
  • How I felt when the results hit: About 15 seconds of disappointment for myself, and slightly longer disappointment that my friends didn’t win either. But I was live-tweeting the results so I was more concerned that I spelled winner Nnedi Okorafor’s name right. She’s an amazing writer and if you haven’t read her Nebula-winning BINTI, you should.

Aurora Award

  • How I found out: Alyx and I were on vacation in London when we got the emails from the award committee. Very excited that we were both nominated!
  • What the award ceremony was like: We didn’t get to go, but it was in Calgary my brother went in our place and had a great time.
  • Finalist swag: As with the Nebula, nominees get lovely pins.
  • How I felt when the results hit: Alyx and I found out we both won via Twitter, in quick succession, and then shortly after, via text and photos from my brother. We were really sad we couldn’t have attended in person especially since so many friends were at the ceremony.
  • Our twin trophies are proudly displayed in our living room. So pretty!

Theodore Sturgeon Memorial Award

  • How I found out: Kij Johnson sent a lovely email with congratulations, checking to see if I would accept the nomination, which of course I did.
  • How I felt when the results hit: I ran into friend and fellow finalist E.J. Fischer before the event. When I congratulated him, he said, “Oh, didn’t you know? Kelly Link won.” Apparently this info was printed on the event posters. That was a bit of a let down, especially since Alyx and I had been traveling all day to get to the event.
  • Kelly Link winning is hardly unexpected because she is a goddess. However, it turned out during the ceremony that E.J. was runner-up, so that was a surprise and very nice because he’s wonderful and so is his work. I love it when my friends are rewarded for their genius!

Sunburst Award

  • How I found out: The committee posted the long list on their site, and then the short list a few months later.
  • How I felt when the results hit: About 20 seconds of disappointment. I was hoping for this one, especially since it brings actual award money. Maybe another year, if I’m lucky.

World Fantasy Award

  • How I found out: I looked at Twitter and had a zillion notifications. Unexpected and a fun way to find out!
  • What the award ceremony was like: Unfortunately I couldn’t go to WFC. We’d planned to go but had to change our plans to make a trip to visit family instead.
  • How I felt when the results hit: About 2 minutes of disappointment. I was rooting for Usman Malik and really thought he would win.

I can say with a great deal of confidence that being an award finalist is pretty darn nice. Part of the excitement and fun is juggling the social media with congratulations flowing in from all directions. It’s a true adrenaline hit!

What could have been…

Apparently without puppy business, I might have had been Campbell finalist, too. That would have been nice but I can live without it.

What have you done for me lately?

It looks like I’ve been slacking because 2016 publications are thin on the ground. I’ve been hard at it, though. Here’s what I did in 2016:

  • Extensive revisions to my lesbian gothic horror novelette “A Human Stain,” which appears at Tor.com on January 4, 2017.  Ellen Datlow put me through five rewrites for this one! Not complaining. The story needed it. (See, though, the continuing pattern of fives?)
  • Ellen Kushner asked me to write a Tremontaine tie-in story and I was thrilled to do it. “The Eye of the Swan” appeared on Tor.com in October 2016.
  • The editors of Nasty – Fetish Erotica for a Good Cause, invited me to contribute a short-short. I chose public nudity for my fetish. The story is called called “The Desperate Flesh.” 
  • I wrote two essays for the Another Word column at Clarkesworld. “On Being a Late Bloomer” appeared in September 2016 and “Dystopias are Not Enough” will appear in January 2017.
  • I wrote a column about the Netflix series Stranger Things for the Omni Magazine reboot. Writing for Omni was a childhood dream come true, let me tell you.
  • And finally, I finished the long novella (39,700 words) that I’ve been working on since summer 2015. It’s a time travel story tentatively titled “Gods, Monsters, and the Lucky Peach.” I’m hoping it’ll find a home soon.

And in 2017?

After spending more than a year writing my time travel novella, I’m desperate to work on shorter pieces. My plan for 2017 is to write five 5000-word stories. I’ve got them all planned out.