Until yesterday, I was super happy with my current story-in-progress. The drafting went comparatively fast, and the second draft revision was smooth. The sentence-by-sentence writing developed a few lovely turns, and I was happy with everything I’d done until the third draft polish when suddenly—
I realized the last quarter of the story was dumb. Beautifully written, but dumb. I mean, it was okay. It was probably good enough. Someone, somewhere would have bought the story. Readers would probably go hmmm at the end.
But I’m not in this to make readers go hmmm. I’m in this to make their heads snap back.
I mentioned this situation to a friend, who asked, “How do you know the ending sucks?” Difficult question. Basically, my instinct told me. It simply didn’t feel right. So I sat down with my big sketchpad and did what I always do when I have story problems—doodle and sketch out my thoughts (why does this suck — this is so bad — I have no idea what I’m doing) until I figured out the problem.
The ending hinges on the main character’s reaction to a big dramatic public proclamation, and the person making that proclamation really doesn’t have a reason to do it. They don’t necessarily need a reason—they’re not the point of view character—but without a solid reason, the story rings hollow and false.
So I’m reworking the whole ending. Not quite sure how I’ll fix it. But it’ll be a good ending instead of one that’s just barely good enough.